Your LUT becomes a camera.
Import your .cube and it joins the shelf with a name and an icon. Photo and video share the same look.

Pick a camera, load a film stock and watch the chemistry happen before you press record. The video lands in your iPhone camera roll already developed.
Photo and video in the same colors.
Nine highlights, all live in the viewfinder. What you see is what goes to the file.
The look you pick works in both modes. It can be your own LUT or one of the app's cameras with the film profile you loaded: switch from video to photo and the color stays the same.


Import your .cube and it joins the shelf with a name and an icon. Photo and video share the same look.

7 vintage cameras. Tap one and the scene changes right away: contrast, tone and character come built in.

Four sliders in the LAB. Move one and the viewfinder changes. No export, no waiting.

Record ready to post, or with latitude to grade later. Apple Log and ProRes show up on compatible iPhones.
One recording, two files. Drag the band in the viewfinder to choose what goes into the horizontal one.

Super 8 is the strongest, with grain and texture up front. 65 mm is the finest. On CLEAN you keep only the camera color.

Let the app decide or meter it yourself. ISO, shutter, WB, focus and zoom sit on the strip, one tap away.

If your LUT is heavy on skin, the SKIN slider brings the tone back without breaking the look.

Pick a color and adjust hue, saturation and luminance. The viewfinder follows every move of your finger.

1932 to 1985. Each one gives its own color; the camera decides the tone of the image.
Color. The Sunday camera, the one that comes with the app.
Black and white. The street camera, the newsreel.
The most iconic: open, snap the cartridge in, close, shoot.
The documentary camera, with the turret that turns.
The oldest. A box, a lens, a gate.
The travel camera. Fits in a pocket, fires fast.
Cinema black and white, the finest grain in the house.
A lab used to develop in hours, in the dark. Here the same chemistry runs the instant you point the camera: the film curve, the grain, the glow in the lights. You see it before you record, and what lands in the roll is what you saw.
The chemistry goes into the file right away, like the family Super 8 that came out of the camera ready for the living room wall. When you want latitude, record in Apple Log or ProRes and grade later.
The lab that develops live. The chemistry happens in the camera and the video comes out finished. For those who only want to shoot.
The complete lab: camera, editor and color. You develop later, any way you like. Discover an app with a complete creative universe.
Film chemistry on your screen, live, on your iPhone.